Today kicks off the start of VisionLA ’15, a Los Angeles arts festival performed to coincide with the United Nations’ Conference on Climate Change (COP 21) as it unfolds in Paris. Below are program notes from VisionLA ’15 – please refer to the group’s site for a complete schedule and more information.
Read Judith Lewis Mernit’s Interviews With VisionLA’s Organizers
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November 30 @ 6 p.m. – 10 p.m.
VisionLA Home Gallery – Bergamot Station,
2525 Michigan Ave., Building G1
Santa Monica
Join us for a celebration of the Power of Art to Make Change at our Gala Opening party for the VisionLA ’15 Climate Action Arts Festival. This opening event will launch L.A.’s first citywide climate action arts festival and is also the opening gala for our wonderful ART MAKES CHANGE fine art exhibition,
» Read more about: VisionLA Climate Change Arts Festival: November 30 Events »
In the Public Interest has made exciting progress over the past few years. Our team has worked incredibly hard, so I’d like to take a step back and share what we’ve been up to.
Even I was surprised by how much we’ve accomplished. We get calls every week from organizations around the country asking for campaign help; from state and local policymakers looking for model bills or support on legislative proposals; and from journalists needing background or quotes. Just recently, a Barcelona TV station interviewed me about private prisons in the U.S. (There are zero in Spain!)
When we added it up, we found that we’ve directly helped state and local organizations in 32 states, and our research and commentary have been cited in over 150 publications, including the New York Times and Wall Street Journal, and local papers across the country like the Cleveland Plain Dealer and Bakersfield Californian.
» Read more about: Public Interest Advocates Tally Up 2015 Victories »
Chicago just took a huge step towards closing the door on irresponsible sales of public assets and reckless outsourcing of public services. Last week, the city council passed an ordinance that mandates real public review of large privatization deals and increases transparency and contractor accountability.
The Privatization Transparency, Accountability and Performance Ordinance (PTAPO) is a significant move by Chicago’s leaders to ensure meaningful accountability to the city’s taxpayers and working families.
Unfortunately for Chicagoans, the rules weren’t in place a decade ago, when then-Mayor Richard M. Daley leased the Chicago Skyway toll bridge to an Australian-Spanish private consortium for 99 years. The bridge has since become one of the most expensive toll-per-mile roadways in the U.S.
But Daley’s lease of the city’s parking meters to Wall Street in 2008 is the ultimate example of privatization gone wrong. Chicago sold the meters to Morgan Stanley at least $1 billion under their value,
Pasadena, California — home of the annual Tournament of Roses parade and the Rose Bowl football game — is known as the City of Roses. But a broad coalition of low-income workers, middle class professionals, clergy, nonprofit leaders, educators, unions, community and civic groups, and enlightened businesses has come together to transform Pasadena into the City of Raises.
They have built a movement to urge Mayor Terry Tornek and the City Council to adopt a law raising the minimum wage gradually to $15 an hour by 2020, just as the City of Los Angeles and Los Angeles County did last summer, and other area cities (Long Beach, Santa Monica, West Hollywood and Glendale, among them) are considering.
These efforts are part of a growing national movement to improve wages and working conditions for low-wage Walmart and fast-food workers, janitors, hospital employees and others. They’ve been pushing cities to adopt minimum wage laws and pressuring big corporations to increase pay for its low-wage employees.
Bad enough that the climate is changing and humans are causing it; worse, most of us don’t even want to talk about it.
“Where are the books? The poems? The plays? The goddamn operas?” asked author and climate activist Bill McKibben a decade ago on Grist, comparing the climate crisis to the AIDS epidemic, which, McKibben noted, produced “a staggering outpouring of art that, in turn, has had real political effect.”
To be fair, that has started to change: Authors such as Paolo Bacigalupi (The Water Knife) and filmmaker Larry Fessenden (The Last Winter) have begun to address environmental catastrophe in their works. But it’s likely that other authors, artists and goddamn opera writers have assumed that their climate-focused work would struggle for an audience: A recent Pew Research Center poll found that only 42 percent of U.S. citizens consider rising seas and global temperatures disturbing.
» Read more about: The Heat’s On: An L.A. Arts Festival Tackles Climate Change »
There’s something deceptively familiar about the first scene of Young Jean Lee’s play, Straight White Men, receiving its West Coast premiere at the Kirk Douglas Theater. It opens with an American family gathered together for Christmas. The three adult Norton brothers spend a lot of time horsing around their dad’s living room in flannel jammies, re-enacting childhood pranks, recalling old nicknames and play-fighting with one another as though they’re young boys again. It’s the kind of reunion play whose lines often begin, “Remember the time . . .” So we know, with all this holiday cheer and familial merriment, that things are about to go to hell.
Sure enough, eldest son Matt (Brian Slaten) abruptly begins to cry as the brothers and their father eat a Chinese take-out dinner. Matt’s got a secret but this is 2015, so veteran theatergoers raised on the social-issue dramas of the late 20th century surmise it’s not that Matt is gay or that he has an incurable disease – especially since we also know this 90-minute play was written and directed by a New York playwright who is the reigning queen of experimental theater.
Will the United Nations conference on human-caused climate change move toward saving the earth for habitation? That’s what’s at stake as the heads of the world’s nations gather in Paris on November 30 through December 11. They intend to put teeth into the U.N.’s “framework” that is aimed to reduce carbon emissions, and which has been adopted by some 195 countries. But will they?
Bill Gates doesn’t think so. In an interview in The Atlantic, Gates praised countries for pledging to roll back emissions by 80 per cent, but cast doubts about their ability to reach that goal. It’s not that he thinks government is particularly inept and that the private sector could do it. He really doesn’t think that either can or will.
He believes that people will cut the easy stuff first, leaving the hard-to-do for the latter half of the time frame.
» Read more about: Paris Climate Change Conference: A Planet in the Balance »
Here’s In the Public Interest’s pick of recent news in for-profit education. Not a subscriber? Sign up. For more from Cashing in on Kids, visit our website.
If legendary labor activist Joe Hill were alive today — and some contend that he is — he would have plenty to say about the state of the American worker. And the country, if it listened, would have plenty to learn.
Hill, who was executed in Utah 100 years ago this month, was an unapologetically radical union organizer whose rough-hewn songs and poems matched the brutal working conditions endured by tens of millions of Americans in the early 20th century. While his lyrics might at first sound anachronistic to contemporary audiences, their underlying spirit speaks directly to the experiences of far too many in our often unforgiving 21st century economy.
“Would you have freedom from wage slavery… Would you from mis’ry and hunger be free,” from Hill’s 1913 anthem “There Is Power in a Union,” could easily have been inspired by the thousands of truck drivers who haul goods to and from the nation’s largest port in Los Angeles.
The most wonderful thing about hearing Gloria Steinem speak recently at the Getty House was meeting the two high school students sitting in front of me. These young Latinas had just formed a feminism club at Montebello High, and its first meeting was a big success. The goal of the club, they told me, is to “explore what feminism means to other students and to educate ourselves.” The two were here to get a boost of ideas and inspiration from Steinem — and were they excited.
Over 100 high school students, overwhelmingly female and from a wide diversity of backgrounds, came to hear Steinem and to submit questions to which she responded. It felt like Feminism 101 and seemed to be exactly what the young women came for.
Amy Wakeland, who prefers to be identified as the First Lady of Los Angeles, and her husband, Mayor Eric Garcetti,